Spent the last week executing an idea I had earlier this month: a stained glass piece based on the Toothpick Sequence, a simple mathematical ruleset about line-drawing that generates complicated results. I ended up going with four color scheme for the collection of rectangles and squares, and so: Mondrian's Toothpicks.
A few years ago my parents gave me my Grandpa Milt's old stained glass stuff, including a large unfinished menorah piece. I've spent the last two weeks finally tackling the logistically and emotionally complicated job of repairing and elaborating on his piece to create a finished work. This is a summary with photos of that process. I also created an exhaustive step-by-step process thread on the fly as I worked through the whole thing.
I've been making a lot of art over the last four years—oil painting, watercolor, stained glass, linocut blockprints, recently plotter drawings as well—and I've updated and revamped my art site to collect and organize the bulk of that existing work to be a central depot for ongoing work. [more inside]
I spent the last six weeks taking a stained glass course from a local artist (Vavroch Glass Studio) and the culmination of that is a 15"x15" stained glass Menger sponge rendering that I'm absolutely delighted with. This is a writeup with pictures of the whole process from conception to completion.
This year I participated in my first Open Studios event. It was the culmination of nearly four years of learning stained glass and the first time I've ever shown my work publically. In preparation for the event, I put together a website and my brother, a graphic designer, created a logo for my studio. In addition to glass, I brought along several pieces of my bicycle taxidermy. I created a couple of these years ago after seeing Picasso's Cabeza de Toro, but received quite a bit of encouragement to produce more for show. [more inside]
As seen on the MeFi Mall, St. Louis Skies, Volume 1 presents the first half of my collected photographs of dramatic sunsets, sunrises, and strange clouds against the backdrop of St. Louis' unique plant life and architecture (with a few ringers from my travels to other cities). [more inside]