A cursed relic of our revolting age, Male Tears remixes vintage comic book imagery into a verbo-visual slurry for your shame or amusement: forty pages of thwarted privilege, humiliating failure and unchecked emotions exploding into weeping and/or violence. [more inside]
A short, illustrated guide to things you can do to make the world better and take care of yourself now that Everything Is Terrible. I created it as a way to get myself out of a deep politics-related funk earlier this month.
The culmination of a lot of conversation I've had with fellow artists, designers, and writers. How do we effectively sell Leftist ideology ? How did we get here? What does a new left art look like? What should it's goals be? What's the best way to achieve them?
I think there comes a time in everyone's life when they feel compelled to draw picture after picture of Republican Speaker of the House John Boehner. I started this blog to catalog my experiments in the medium.
The debut record from Out of System Transfer, a neo-old-timey band who sing punk-influenced folk songs about the assassination of William McKinley, hitting cops in the head with a brick, and riding the subway. Their sound has been compared to the Holy Modal Rounders, Mojo Nixon, and Mischief Brew. With physical media sales becoming less viable, it made little sense to get CDs printed (plus, no one in the band even had a working CD player), but it also felt wrong to forego the great potential offered by album covers and liner notes, not to mention the feeling of having a tangible thing for fans to have. Thus, the record was released as a zine, (also bundled with the download as a pdf) with original artwork commissioned for each song by various Brooklyn-based artists. [more inside]
A curated monthly review devoted to spirited debate about books and the arts, created by and for a transnational community of writers, artists, and activists. Inaugural contributors include Tobias Kelly, Bruce Robbins, Lawrence Weschler (interviewing Errol Morris), Laura Norén, David Henkin, Adam Morris, and Sharon Marcus. Brought to you by the editors of Public Culture and NYU's Institute for Public Knowledge. [more inside]