A podcast where we talk about the stars and the stories of the B movies of yesteryear. A combination of humor, B movie weirdness, Hollywood biography and Old Time Radio. [more inside]
Lewton Bus, the little film criticism site that could, just devoted the month of August to the Western. [more inside]
Connor's cell phone comes to life and accidentally breaks up his relationship with his girlfriend. It must then do everything a 'smart' phone can to get them back together. [more inside]
A podcast and blog looking at the good, the bad, and the WTF of western movies, country songs, and that sort of thing. [more inside]
A film criticism and review site I recently launched with a number of my film nerd buddies. [more inside]
The studio heads of Classic Hollywood ranks by how awful they where as people.
"You better watch out. Better not cry, sucker. Because this month we’re taking a look at seven examples of cinematic revenge — the bloodier, the better." A series of revenge movie reviews to help you celebrate the Holidays. [more inside]
After Last Season exists in the subconscious of the internet mostly as “that trailer with the cardboard MRI machine.” Even among the most diehard fans of weird cinema, it is something that may have made a momentary blip on their radar if they have even heard of it at all. [more inside]
My pal Ian and I discuss a different action movie every week. We talk about action movie tropes, montages, action scenes, and generally look at the structure and conventions of American action films. [more inside]
I'm working my way through every single film made about Irish-American mobsters, gangsters, bootleggers, run-runners, and general thugs, offering commentary on the films, and comparing them with the actually history of Irish-American gangsterism.
I made a video putting together the Hannibal Lecter scene from Manhunter (1986) and the remake Red Dragon (2006) as a way to compare direction and performance for a scene that is nearly identical in both movies.
A semi-comprehensive listing of all the upcoming analog film screenings in the Chicago area, big and small. [more inside]
I produced a horror movie called YOU'RE NEXT. It comes out this weekend in the US, and in the rest of the world over the next few weeks. Critics even like it, which is pretty rare for a horror film these days. So if you like horror movies, go see it. If you don't like horror movies, go see it anyway and help support MeFi's own me.
A list of exhibitors who intentionally show films on film (35mm, 16mm, whathaveyou) to the public — cinemas, festivals, museums, and itinerant groups. It started out as a news digest looking at (1) cinemas that are switching to digital technology and (2) cinemas that are choosing to preserve analog film exhibition in some form, but I kept finding so many interesting little pro-analog cinema projects that I had to make a list of them. [more inside]
Rotten Tomatoes scores can be very helpful when trying to figure out what movie to watch, but I find their website to be incredibly slow and frustrating to navigate. Since Rotten Tomatoes has an API, I decided to make Quick Rotten as a way to quickly look up Rotten Tomatoes scores and get a sense of what critics think of new releases. My friend John Holdun then chipped in to make it look pretty.
I have over 24,000 16mm educational films from the 1920s thru 1980s and have been sharing them at avgeeks.com (previously). But I still have a ton of films no one else has made available online in good quality, if at all. So every day during the month of August, I'm digitizing and uploading public domain 16mm films that anyone can watch, download and/or repurpose for their own projects, free of charge. They're being collected at av-geeks.tumblr.com, and include The Potheads, a bizarre amateur anti-drug film from 1968, a 1958 interview with Ansel Adams about his craft, sexy industrial porn, Any Boy USA, in which Mr. Whiskey explains the perils of the big city to our hero, and lots more. I'm uploading at least 3 new films a day; the goal is to get to 100 miles (240 hours) of film by the end of the summer.
A podcast and blog about movies and movie trailers. [more inside]
I've just released my first iPhone app. It's called Double Feature, and it's for the kind of film fan who likes knowing who was in what with whom.
If you've ever been watching a movie and found yourself wondering “hey, wasn't that guy in $MOVIE_TITLE” or “say, what's got $PERSON_1 and $PERSON_2 in it”, Double Feature is for you. With its Movie Match feature, you can type in two movies and get back a list of the people that worked on both movies. With Name Search, you can punch in two names and get back all of the films those two people both worked on. That's literally all that Double Feature does. If you'd classify yourself as a movie buff, I think you'll really like it.
A collection of frame enlargements I made of the mysterious photographs of (usually) women that sometimes appear in the unseen header footage of motion picture film. More will be added as I encounter them. [more inside]
MostlyFilm, a blog I'm involved with. As the title says, mostly film writing but some other reviews/essays/criticism as well.
So far, writing about: Alex Cox, "Meek's Cutoff", the upcoming "John Carter of Mars", country music in the movies, Herzog and Wenders 3D films, Christian Marclay’s "The Clock", recent CD releases. Oh and, calling Jamie Oliver a big gurning tit and the premise of his new show "colossally stupid and offensive".
Hidden within every movie is a secret art film. It’s easy to find, as long as you know the right place to stop and fade to black. With a little timing and just the right edit... a story of triumph becomes tragedy, love turns to loss, and every dream becomes a dream deferred. Watch the closing scenes from your favorite movies, and see the art film it could have been. [more inside]
I'm producing a short horror film that's being directed by a female horror icon, and Executive Produced by Guillermo del Toro. In order to promote and fundraise for the film, we're producing a series of videos entitled "Horror Film School", where we interview the Masters of Horror about how to make your first film. First up: George Romero. [more inside]
On August 8th, 1978, you a cordially invited to the wedding of Gwen Anne Sanderson and Brent Forrest Hall. There will be dinner. There will be dancing. There will be murder. Killer Disco Wedding. A destination wedding, where the destination is death. What do you get when you mash up a grindhouse trailer with a '90s compilation album commercial...well, this. Shot over the weekend in Los Angeles last month.