The Dreams Of The Waiting Prince, Before The Occasion Of His Ascension, During The Period Of His Seclusion, In The High Palace Of Eternal Solitude, Above The Clouds Of The Empire’s Reality, Beneath The Many Moons Of The Empire’s Imagination is the story of a lifetime and the history of an empire told entirely in 150 dreams (which can be read either as stand alone fables or in order as a single narrative), with illustrations and artwork by Virginia Frances Sterrett (1900-1930) and Frances MacDonald (1873-1921). [more inside]
The Man Who Left is a short fairy tale about a man sent to war, forced to fight incomprehensible battles in unknowable places for increasingly unclear reasons, who has become so weary and distraught by this life of constant toil and terror that it is only his dreams of returning to his wife and child that keep him sane. It's the 150th (and final) tale in my Thousand And One Tales project (previously on projects: 1, 2, 3, 4), which I originally planned to keep up for another 851 stories, but in the end failed spectacularly to do so. But still I tried... [more inside]
Seven stories for Halloween: Trick Or Treating By Car (a story about sadness and loss, death and dying); Separations (a tale of parallel worlds, break-ups, and breakdowns); Magic Trick (the story of a disappearance); The Wedding (unsettling events at a royal wedding); Front Door (an ever-escalating haunting); Flood (the strange tale of a crocodile home invasion); The Second Moon (a final tale of slightly overwrought melancholy).
A thousand and one tales is an ongoing and ever-growing collection of new fairy tales and folk tales, with a new story posted every Friday. The 30 stories so far include retellings of famous fairy tales (Ariadne and the Minotaur in The King's Daughter And The King's Son; Cinderella in Lonely Isobel; Bluebeard in The Three Doors And The Fourth); stories about good queens (The Lunar Queen; The King And The Light), bad kings (The King And His Weeping Wife), and even worse fathers (The Wolves In The Woods; The Farmer's Daughters); transformations (The Unhappy Bride); beasts (The Three Sorrowful Sisters; A Long Winter's Night); and the telling of tales itself (Old Tales Are Made New In The Telling). [more inside]